内容简介：
Third Cinema is a term used to describe cinema that is committed to social and cultural emancipation. It was first coined in the 1960s by Latin American film theorists, in contrast to First Cinema (the mainstream) and Second Cinema (arthouse films). This book explores the theory and practice of Third Cinema in relation to films from all over the world that are made specifically for political, transformative purposes. Mike Wayne argues that Third Cinema is central to key debates concerning contemporary film practices and cultures. He offers an original, dialectical approach that repositions the traditional debate, exploring the affinities and crucial political differences between First and Third Cinema. Films discussed range from a wide variety of countries, and case studies include "Evita", "Dollar Mambo", "The Big Lebowski", "The Journey", "Amistad" and "Camp de Thiaroye". Wayne also uses the figure of the bandit in films such as "The Bandit Queen", "The General" and "Eskiya" to examine Second Cinema's relationship with Third Cinema.