内容简介：
Acknowledgements
Introduction
Part1 The Production of Fashion
Chapter1 The Rise of the Designer
Chapter2 Making Clothes
Chapter3 Innovating Change
Part2 The Promotion of Fashion
Chapter4 Disseminating Desire
Chapter5 Fashion on the Page
Chapter6 Fashion and Film
Chapter7 Shopping for Style
Part3 The Wearing Fashion
Chapter8 Style and Modernity
Chapter9 Fashion Capitals
Chapter10 Fashion and Identity
Notes
Further Reading
Timeline
Museums and Websites
List of Illustrations
Index
作者简介：
Professor Christopher Breward is a leading cultural historian. Appointed Principal of ECA in September 2011, he is also Vice Principal for the Creative Industries and Performing Arts and Professor of Cultural History at the University of Edinburgh. His publications and exhibitions have considered the cultural history of fashion in the West, the history and status of London and other cities as global capitals of fashion, men as consumers of dress and related histories of dandyism, and ideas of fashion, modernity and memory. He has worked on major collaborative curatorial projects funded by the Economic and Social Research Council and the Arts and Humanities Research Council.
Christopher studied at the Courtauld Institute and the Royal College of Art. Prior to joining ECA as the new College’s first Principal, he held posts at Manchester Metropolitan University, the Royal College of Art, London College of Fashion (University of the Arts London) and the Victoria & Albert Museum. He is a Governor of the Pasold Institute and a Trustee of the National Museums of Scotland. He is also an Honorary Fellow of the RCA, an Honorary Research Fellow at the V&A and a Fellow of the RSA.
In 2012, Christopher co-curated the V&A’s Olympic season exhibition British Design: Innovation in the Modern Age 1948-2012. He has contributed catalogue essays to V&A exhibitions on Quilts, Couture, Sport and Fashion, Aestheticism, Postmodernism, David Bowie and post-war Italian Fashion, and to catalogues for the exhibitions Artist, Rebel, Dandy at the Rhode Island School of Design and Ivy Style and A Queer History of Fashion at New York’s Fashion Institute of Technology. He sits on editorial and advisory boards for journals including Fashion Theory, Costume, The Happy Hypocrite, Visual Culture in Britain and Interiors: Design/Architecture/Culture and is series editor for Manchester University Press’s Studies in Design. He is currently working on the cultural history of the suit and supervising PhD students in fashion and design/decorative arts history.
http://www.eca.ed.ac.uk/eca-home/chris-breward
目录：
Contents
Acknowledgements 7
Introduction 9
Part 1 The Production of Fashion 19
Chapter 1 The Rise of the Designer 21
Chapter 2 Making Clothes 49
Chapter 3 Innovating Change 63
Part 2 The Promotion of Fashion 99
Chapter 4 Disseminating Desire 101
Chapter 5 Fashion on the Page 115
Chapter 6 Fashion and Film 131
Chapter 7 Shopping for Style 143
Part 3 The Wearing of Fashion 157
Chapter 8 Style and Modernity 159
Chapter 9 Fashion Capitals 169
Chapter 10 Fashion and Identity 217
Notes 241
Further Reading 249
Timeline 256
Museums and Websites 261
List of Illustrations 265
Index 269