内容简介：
Born on October 31, 1883 in Paris, the young Marie Laurencin was sent to Sèvres by her mother in 1901, where she got familiar with porcelain painting.
出生于1883年10月31日在巴黎，年轻的玛丽洛朗桑被送往sèvres由她的母亲于1901年，她在那里得到熟悉的瓷画。
Her education continued at a school in Paris, followed by the Humbert academy, where Marie Laurencin got acquainted with Georges Braque.
她的教育，继续在一所学校在巴黎，其次是恩贝尔学院，玛丽洛朗桑相识与乔治braque 。
She soon met Picasso and Guillaume Apollinaire, who supported her from this time on and integrated her in discussions about art theory, which soon lead to Cubism.她很快会见了毕加索和纪尧姆阿波利奈尔，是谁支持她，从这个时候就和她在综合讨论的艺术理论，这很快导致立体主义。
The artist's own creative work, however, remained untouched by such theoretical demands; it shows mainly lyrical motifs like graceful, dreamy young girls in pastel coloring and soft shading.
艺术家自己的创造性劳动，但是，仍然无动于衷，如理论的要求;它主要表现在抒情优美的图案一样，梦幻般的年轻女孩在粉彩着色和软阴影。
This color-sensitive inventiveness leads to a variation of repetitions of form and motifs.
此颜色敏感的发明导致了变化重复的形式和图案。
The influence of Persian miniature painting and Rococo art are undeniable in Laurencin's works.
影响波斯语的缩影绘画及洛可可艺术是不可否认的在洛朗桑的作品。
In 1907 Marie Laurencin gave her debut at the "Salon des Indépendants," followed by a large exhibition at Barbazanges' in 1912 and at P. Rosenberg's in 1920.
在1907年玛丽洛朗桑给了她首次在“沙龙万indépendants ” ，其次是由一个大型展览在barbazanges '在1912年和页罗森伯格' S在1920年。 From 1924 Laurencin also worked on designing stage sets.
从1924年洛朗桑还致力于设计阶段套。 She produced stage design for Diaghilev's "Ballets russe" and the set for the "Comédie Francaise" in 1928.
她制作的舞台设计为diaghilev的“芭蕾舞russe ” ，并设置为“ comédie法国”在1928年。
She also illustrated books, such as André Gide's "La Tentative Amoureuse" and Lewis Caroll's "Alice in Wonderland."
她还说明了书籍，如安德烈纪德的“ La暂定amoureuse ”和Lewis caroll的“李翘如在仙境” 。
作者简介：
Born on October 31, 1883 in Paris, the young Marie Laurencin was sent to Sèvres by her mother in 1901, where she got familiar with porcelain painting.
出生于1883年10月31日在巴黎，年轻的玛丽洛朗桑被送往sèvres由她的母亲于1901年，她在那里得到熟悉的瓷画。
Her education continued at a school in Paris, followed by the Humbert academy, where Marie Laurencin got acquainted with Georges Braque.
她的教育，继续在一所学校在巴黎，其次是恩贝尔学院，玛丽洛朗桑相识与乔治braque 。
She soon met Picasso and Guillaume Apollinaire, who supported her from this time on and integrated her in discussions about art theory, which soon lead to Cubism.她很快会见了毕加索和纪尧姆阿波利奈尔，是谁支持她，从这个时候就和她在综合讨论的艺术理论，这很快导致立体主义。
The artist's own creative work, however, remained untouched by such theoretical demands; it shows mainly lyrical motifs like graceful, dreamy young girls in pastel coloring and soft shading.
艺术家自己的创造性劳动，但是，仍然无动于衷，如理论的要求;它主要表现在抒情优美的图案一样，梦幻般的年轻女孩在粉彩着色和软阴影。
This color-sensitive inventiveness leads to a variation of repetitions of form and motifs.
此颜色敏感的发明导致了变化重复的形式和图案。
The influence of Persian miniature painting and Rococo art are undeniable in Laurencin's works.
影响波斯语的缩影绘画及洛可可艺术是不可否认的在洛朗桑的作品。
In 1907 Marie Laurencin gave her debut at the "Salon des Indépendants," followed by a large exhibition at Barbazanges' in 1912 and at P. Rosenberg's in 1920.
在1907年玛丽洛朗桑给了她首次在“沙龙万indépendants ” ，其次是由一个大型展览在barbazanges '在1912年和页罗森伯格' S在1920年。 From 1924 Laurencin also worked on designing stage sets.
从1924年洛朗桑还致力于设计阶段套。 She produced stage design for Diaghilev's "Ballets russe" and the set for the "Comédie Francaise" in 1928.
她制作的舞台设计为diaghilev的“芭蕾舞russe ” ，并设置为“ comédie法国”在1928年。
She also illustrated books, such as André Gide's "La Tentative Amoureuse" and Lewis Caroll's "Alice in Wonderland."
她还说明了书籍，如安德烈纪德的“ La暂定amoureuse ”和Lewis caroll的“李翘如在仙境” 。